SKU: 8833493233
mtg card scanner webcam

mtg card scanner webcam Scanstand for Standard Size Unsleeved Cards

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Description

mtg card scanner webcam Scanstand for Standard Size Unsleeved CardsProduct features Scanstand is the number one solution and ideal aid for scanning, cataloging, and price checking your trading card collection quickly and efficiently. Our nested design allows for convenient storage and travel. Complete setup or teardown in seconds! Simply slide out the card chute from the phone holder, rotate and interlock the two parts, then place your smartphone atop and orient your camera as needed. A removable door allows you to

Product features

  • Scanstand is the number one solution and ideal aid for scanning, cataloging, and price checking your trading card collection quickly and efficiently.
  • Our nested design allows for convenient storage and travel. Complete setup or teardown in seconds! Simply slide out the card chute from the phone holder, rotate and interlock the two parts, then place your smartphone atop and orient your camera as needed.
  • A removable door allows you to easily pull rare cards from the pile while scanning without hassle. The tray where cards land features a tilted bed which puts the cards slightly off level, allowing them to fall and stack evenly while maintaining a sufficient viewing angle for your camera. Receptacle accommodates approximately 130 unsleeved standard size cards (2.5 x 3.5" or 64 x 89mm).
  • Use with ManaBox, TCGplayer, and other card scanning phone apps. Phone mount is fixed at an ideal height for scanning, made wide enough for stability and universal compatibility across makes & models.
  • Made in the USA! Professionally 3D printed in Las Vegas, NV by experts in the trade using PLA, an eco-friendly plastic. Colors may slightly vary depending on available material. Use in a well lit area with ambient or indirect light for best results.

Scanstand is an all-in-one portable solution for TCG scanning. Quickly and efficiently scan, catalog and price check cards at home or on the go using ManaBox, TCGplayer or similar apps (not included; eligible smartphone with compatible software required for use). Make tracking your sets and decks a more enjoyable experience.

To start, remove the chute by pushing it out of the holder. Rotate the frame 90 degrees then re-insert the box perpendicular to the frame and interlock them in the designated position. An angled notch at the bottom tells how to orient the two parts. Place your phone atop and adjust as needed based on the position of its camera. It is best to have your scanner app open during this process and use the associated viewfinder as a guide.

Now you're ready to roll! Start throwing cards in with a flick of the wrist. If cards get stuck or don't travel the whole way, static buildup may be the culprit. Reduce cling by wiping down the ramp with a lightly damp cloth—allow to dry before use. If the problem persists you may need to use a tad more muscle or work on your aim. Alternatively, if it sounds loud every time a card hits against the plastic you may be using unnecessary force and potentially causing damage to the edges of your cards. Start light and dial up your strength as needed until cards fall into the receptacle with ease.

For best results use in a well lit area with ambient or indirect light. Optimal conditions may differ based on your phone's camera and the selected app's recognition software. If trouble arises while scanning holographic, foil or otherwise highly reflective cards we recommend a simple diffuser (e.g. a sheet of paper) to block excess light.

3D printed in the United States using an eco-friendly plastic, your purchase will help support our small business and contributes to a greener domestic manufacturing on demand model that works to prevent overproduction and eliminate commercial waste.

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SKU: 8833493233

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DoubtfulReader
Draper, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Charlottesville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
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J. Christian
Phoenix, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Port Orchard, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
Louisville, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2023

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